![]() You can hear it from 2:15 onwards in his track.Ĭanadian producer deadmau5 has never been shy about how video games have influenced his output – and continue to do so. James sampling the sound of enemies exploding once shot. The game in question is Space Invaders, with Richard D. You’d be forgiven for missing a few of the more obscure samples hidden in the mess of it all. Right after the serene Avril 14th on Aphex Twin’s 2001 album Drukqs comes Mt Saint Michel + Saint Michaels Mount, a more typical Aphex track filled with syncopated beats and randomised trills. $uicideBoy$ sampled the eerie score in their 2015 track Ugly. Those four stabs are instantly recognisable in the mix – listen out from about 0:08 onwards.Īphex Twin – Mt Saint Michel + Saint Michaels Mount That spine-chilling progression perfectly encapsulated the town’s ghostly motif, leaving players unsettled and more than a little creeped out. You can hear the original motif at 2:17 in the God of War III track.įrom the moment you step foot in Lavender Town in Pokémon Red/Blue/Yellow, you know there’s something wrong. It contains a flipped Revenge Falling sample throughout the runtime – hear it from the first beat until the last. On the other hand, No Squares is a juicy piece of stoner rap featuring the lord of stoners himself, Wiz Khalifa. Revenge Falling is the swelling orchestral track that plays as Zeus strikes down Kratos and Gaia – one of the game’s most dramatic and memorable moments. But there’s no mistaking that DOOM shotgun sound – keep an ear out for it from 1:15 through to 1:19.Ģ012 track from New Orleans MC Curren$y, No Squares, contains a prominently featured sample from the God of War III soundtrack. That’s That featured on the rapper’s 2009 album Born Like This, and lifted a few SFX and percussive sounds from the PS1 edition of id Software’s game-changing shooter.Ī couple of the sounds are hard to place as they’re peppered throughout the track, often mid-to-low in the mix. This one’s a double feature – MF DOOM sampling DOOM. The first verse features the Street Fighter II announcer saying “PERFECT” at 0:28, then that same announcer can be heard yellow “YOU” (presumably half of “You win!” or “You lose!”) shortly afterwards at 0:33.Ĭuriously, that exact same “PERFECT” sample appears on Pt. Perhaps in reference to the Madvillain track above, Kanye West also looked to Street Fighter II when putting together his The Life of Pablo track FACTS – later available as Facts (Charlie Heat Version). The sample first drops into Archangel at 0:34, and you can hear the original version in Opening Infiltration at 1:38. Burial speeds it up, looping the motif over a punchy beat. One of his most celebrated tracks, Archangel (later covered beautifully by Chet Faker), lifts an orchestral progression from Opening Infiltration off the Metal Gear Solid 2: Sons of Liberty score. What many don’t know is that he was a prolific video game sampler, pulling sounds from everything from Dark Souls to Fable. It came out in 1984.īritish producer Burial remains one of electronic music’s most important voices for the emotion his compositions were able to capture. Hosono’s version lets a portion of the soundtrack play out before his own accompaniment comes in, adding a beautiful set of layers to what was already a wonderfully composed piece of music. More tribute than sample, Galaga by Yellow Magic Orchestra member and Japanese pop savant Haruomi Hosono is a love letter to the soundtrack of Galaga, a popular arcade game first released in 1981. The 8-bit beat which cruises through the whole track is a flipped version of Pac-Man ‘s Intro Theme, laid under some punchy brass synths. This particular tune never made it as a single, but definitely still slaps. Including a video game sample in a tune called The Game is Over is maybe a little heavy-handed, but NYSNC were never really about the subtlety. Sugababes were right amongst it, taking home a handful of British number ones as well as a ton of charting singles for their troubles.įreak Like Me, their 2002 track which introduced new band member Heidi Range, features a sample of the Frogger startup sound. Remember the noughties? You couldn’t slap on the radio without getting your daily dose of the girl/boy group revolution. Listen out for the samples – a collection of short voice takes as well as a few menu and miscellaneous sounds – right at the beginning of the track then peppered throughout. ![]()
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